The Morally Good and Bad in Othello Essays -- Othello essays

The Morally Good and Bad in Othello William Shakespeares drama Othello is one concentrated contest between the forces of the chastely good and the morally bad. Let us analyze this contest in detail in this essay. Standing out like a unrelenting silhouette on a white background is the sinister theatrical role and master of deception in the drama the generals ancient. Morton W. Bloomfield and Robert C. Elliott in Great Plays Sophocles to Brecht highlight the dominant evil force in the play, Iago For critics, the chief(prenominal) problem in the play is the character of Iago. The debate usually centers rough whether he had sufficient motives for his cruel actions or whether, on the other hand, he is an example of motiveless malignity. The question cannot be resolved here, nor is it necessary to decide to resolve it. Iago, whether because of his disappointment at not having been given Cassios position, or because of his belief that Othello had cuckolded him, or because of his love of evil for its own sake, is nevertheless a man who has rejected all ties of morality and idealism. (39) Totaling the lies which the ancient tells to everyone about him would await considerable effort and time. In Shakespeares Four Giants Blanche Coles comments on the deficiency of veracity in Iagos speech The story that Iago tells Roderigo about the procession of Cassio over him is not true, although it has been accepted by many discriminating scholars. sloppy reading alone can account for this misapprehension, careless reading which for the twinkling dulls their alertness to one of the most essential sine qua nons of Shakespearean character analysis. That requirement is that the reader must(prenominal) never accept, or must always be re... ...is final passion. From the stern general who had, as his first line, the cold Tis get around as it is (1.2.6), he has traversed a pilgrimage of known and feeling sorrow. And, it must be repeated, it will depend upon the behol der whether one judges or rejoices in the transfiguration of loving not wisely but likewise well. (66) WORKS CITED Bloomfield, Morton W. and Robert C. Elliott, ed. Great Plays Sophocles to Brecht. New York Holt, Rinehart and Winston, Inc., 1965. Coles, Blanche. Shakespeares Four Giants. Rindge, New Hampshire Richard metalworker Publisher, 1957. Jorgensen, Paul A. William Shakespeare The Tragedies. Boston Twayne Publishers, 1985. Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http//www.eiu.edu/multilit/studyabroad/othello/othello_all.html No line nos.