The Dawn Of Understanding: Three Years Later :: essays research papers

Throughout my life sentence, the comparable scene in the television screen registered in different ways. The camera zooms in for the last shot of a lone hyena wheezing his way out of life. He may be dying of vex exhaustion or thirst or hunger, but his small look roll side to side slowly and then....just.....stop. Equally significant and middleman is the close-up of the very violent death of a youngster seal as a hyena simultaneously shakes him into submission and breaks his spine. The camera is unceasingly held tranquilize no one is shocked or upset yet the aesthesis that something important has happened is always instilled in me.When I was younger I would address during the sad moment in movies when someone spoild. The person or sentient being had a name and an identity which gave them a level of reality. My fascination for animals existed compensate then and I often followed with my eyes and imagination the lives of the documented animal. I rancid away from the bra shness of the lion tearing into the zebra because I turned away from all violence but I was too excite to feel any real compassion. peradventure reality was harder to absorb than fiction. Perhaps these scenes werent real to me because what I had seen of death in my own experience always involved sorrow and the cameramen felt none, the sun felt none and the cashier felt none. Later in my life I realized the zebra or coyote or prairie dog that was being forced to succumb to vaporization or starvation was real. I dont think that I had ever, consciously seen anything die before watched the same close-up many times before but never really seen anything die. Insects perhaps never a person, never a baby lemur, never a cat, never anything except within the confines of fiction. What my look had seen as I sat there was the product of lighting and actors and a voice but unlike real fiction, this did not seem real. As I have lived in a city for most of my life and never truly experienced w hat wildlife was like, this was it the cameras lent my alienated consciousness a sense of the reality experienced by the other inhabitants of this earth the quatern legged (and sometimes two-legged) ones. I was being carried on the shoulders of Richard Nassau and Michael Drencher as they journeyed to the desserts of Africa and mountains of Peru.